On Sixties Music and E-books
Remember the sixties? No? Neither do I! Believe it or not, the sixties was before my time (just), but there was a lot of really good music that came out of that era, both in the UK and the US. Back in the early sixties, recording studios were fairly basic. Bands would record to two, perhaps four tracks, and effects would be limited to reverb and not much else. Essentially, what you heard on the record was not much different to what you’d get in a live performance. Check out this clip of The Beatles singing “She Loves You” in 1963 (look–no autotune!):
You may or may not like the song, but that performance showcases the song itself. There’s no fancy production work, no lush overdubs and autotuning. What you hear there is pretty much what you heard on the studio recording. Aside from The Fab Four shaking their heads and looking awesome (I’m a Beatle fan, sorry!), there’s nothing else to distract you from the song.
These days, and really for the last thirty years, the record producer has almost become one of the band in most studios. The work he or she puts into the sound of the recording is almost as important to the overall sound and appeal of the music as the song itself. Have you ever heard a song on the radio (or on your mp3 player), and then heard it live and thought “wow–that’s almost like a different song!”? The only difference is the lack of production and studio wizardry in the live setting. And often its the stripping away of all that production that reveals how good a song really is on its own.
Similarly, as much as I like real, physical books, I too can be distracted by the new book smell, the beautiful cover design, the fonts, or even just the weight and feel of the book itself. And sometimes we can pre-judge a book on those criteria, not on how good the actual story is. Maybe the physical book is like that carefully crafted, studio mixed song, where the song itself is hidden under layers of production, and the e-book is like the live performance. Sure, you get a digital representation of the cover art, and perhaps even some replication of the original font used. But you lose the feel of the book, the smell of the fresh pages, and all those other things that delight the bibliophile, but really aren’t part of the story. Perhaps, in this sense, e-books actually bring us closer to the text.
Don’t get me wrong–I love books. I have a lot of them, and will always prefer physical books. But I throw these thoughts out there to suggest that there’s something about the rawness of the e-book, that factor that makes us paper-and-ink fans uncomfortable, that forces us to the story more immediately than the physical novel.
What do you think? Especially those who have been reading e-books for a while, do you find it easier, harder, better, or no different than reading regular books?
This is a really great comparison. I much prefer traditional books even though I own an e-reader, and I would agree that most of the reason has to do with looks, feel, smell (yes, smell), and so on. I like being able to put my bookmark in my book and actually see how far I am into the story rather than trying to visualize what 45 of 391 looks like in my head (gosh, that might involve fractions!). I like to be able to see the cover in colour and not in some flat black & white little picture. Plus, it’s so much easier to flip back several pages to look for something in an actual book than it is in an e-book.
But, e-books are super convenient in so many ways that I don’t even need to mention here. You’re probably right about e-books having all the bells & whistles stripped away, leaving just the content itself. And that’s probably a good thing (unless you’re reading Miss Peregrine’s Home For Peculiar Children where part of the experience is actually being able to see all the pictures in their creepy, creepy glory–on the e-reader: total fail). I keep my e-reader for travelling mostly, and for when I’m just too darn impatient to wait for the actual paper book. I just can’t quite get on board all the way with e-books.
Ooo, that’s an interesting tip about MISS PEREGRINE–people should be aware that the pictures are not as effective in the e-version. Thanks for that!
I, too, don’t foresee a time when I will completely forsake the traditional book. I’m completely with you on the whole experience: the book mark in the pages, etc. However, there’s something about the convenience and no-frills of the e-book that’s appealing.
Yeah, much to my chagrin, my Kindle is lousy at graphics. I have an older model, so on something like a Kindle Fire or a Nook Touch this might not be as much of an issue, but Miss Peregrine and my device are not meant to be. It’s a shame, too, since I lent my copy to a student before reading it–and that was back in October. One of my more responsible readers finally managed to get that girl to bring it back a few weeks ago, so it’s not lost forever, but I told the second girl that she could read it if she could get it away from the first girl…so it could be a while.
That’s a really interesting idea Having just come off of a LONG book that I read as an e-galley on my Kindle, I definitely think there’s some truth to it. Granted, FROI OF THE EXILES was a sequel, and I was excited to read it, but if I had seen in advance that it’s pushing 600 pages? I might have put it off, and put it off, and put it off (ERAGON sat on my shelf for three years before I got around to it!) It’s a sort of willful ignorance of certain things about the book.
Plus, there’s the oft-touted privacy of e-books: something that feels too silly or girly for my to tote around on the subway hides very nicely in my Kindle. I think as more kids get e-readers, this could help some kids (especially boys) cross over into books they otherwise wouldn’t consider.
Thanks, Mrs. S. You’re right about the whole privacy thing. There are some YA novels I am intrigued to read but would be a little apprehensive buying due to the fact their covers look like teen girl magazines. Not only would it feel a bit weird going through the B&N checkout with them–being a guy, but I’m sure it would look strange, considering I have teenage kids of my own. Sure, I might be buying the books for them… but I’m not. Silly, perhaps–but that’s the truth. Anyway, my alternatives are to buy them online, or perhaps buy them as e-books.
I prefer having a physical book. I like to be able to hold it, showing it off on my shelf if it’s a book I’ve particularly enjoyed. Like The Hunger Games at the moment. I could get the next two on kindle but I think I’d rather buy them from the bookstores so I can feel that excitement of having the book in my hands. I remember when I was younger the joy I felt when I got the new Harry Potter books and just stared at it in my hands whilst running to the car just so I could start it.
But I like the benefits of having a kindle and getting e-books. Most YA books I’m itching to read haven’t even made it to the UK and I like being able to access them on kindle so I can read them. I’m also grateful for all the book space I’m going to save. I live in a small flat and haven’t got room for another bookcase so the e-book is handy in that respect. It’s cheaper too. Another bonus when you have money issues.
The space issue is an important consideration, IMO. Especially with novels you may only read once. The only problem with e-books is sharing them. Is there some way you can give away e-books you don’t want any more? Or donate them to some kind of e-book library? Thanks for commenting, Robin!
Here is something you should all know about Colin, he likes to have every version of every book he owns. So he may start with the e-book for the speed of getting it into his hands, but he will place the order for the physical book at the same time. This is why we have so many versions of Harry Potter (paper back, hard back, Latin, French, the kids have their own copies…). I think we may be single-handedly supplementing JK Rowling’s income 🙂
LOL! Well… I don’t know about *that*! There are plenty of books I have physically that I wouldn’t get digitally unless I really wanted to have a copy of that book wherever I go. With the Potter books, well, that’s probably the only book series in the house that everyone–without exception–likes. So naturally, we have multiple copies, and in a couple of different languages as aides to learning. All quite logical and reasonable. Though I hope JKR appreciates the help she’s getting from us paying for that mansion in Scotland. 😀
Re: ‘giving away’ e-books, the Kindle has a ‘lend’ feature where you can pass a book to another Kindle owner for a few weeks. I haven’t tried it out yet, but I plan on using it to convert a good friend to YA.
I’m currently warring with myself over e-books versus Kindle books. I love covers, love fonts, love images, love formatting… but when I’m desperate to read a story, it doesn’t matter. I downloaded a sample of Divergent (in 60 seconds over 3G, from the middle of the office), bought the full book 30 mins later, finished the thing in two days. If I could have downloaded the sequel, I would have.
That kind of convenience lines right up with the feeling of being addicted to a fantastic book and turns the process into something incredibly streamlined. As writers, we should embrace just how easy it’s become for readers to enter our universes.
But I want to own the books, to show them off, to pass them around. I want to be able to look at a bookshelf and say ‘THESE are the people who inspire me’.
I guess right now I’m undecided, but I could see that desperate need to read THAT book, RIGHT NOW taking over.
I think you’re spot on, Emma, when you talk about being able to see all those great novels on your bookshelf, and being able to hand them to friends and family to read (although I’m a bit miserly when it comes to letting books out of the house–but it’s great to be able to hand my wife or kids a book and say “read this!”). I would love to see e-books generally, not just Kindle, embrace some kind of model for sharing.
And I’m so pleased (though not surprised) you enjoyed DIVERGENT! 🙂