Who Review: The Angels Take Manhattan
The Weeping Angels return to bring their time warping menace to New York. Filmed on location in the Big Apple, the episode also featured the return of River Song, and the departure of Amy and Rory. When the Angels debuted in New Series 3’s “Blink” (written by Steven Moffat), they were a big hit. As with most genius ideas, the concept is simple: statues that move with lighting speed when you aren’t looking, and if they catch you, they throw you back in time and force you to live out the rest of your life in a different era. Moffat brought the Angels back in Series 5, and I was a bit disappointed. They weren’t nearly as menacing. This time, however, a bit of the old “Blink” magic has returned to them. This episode had a lot more of the “Blink” suspense and excitement. The Angels didn’t exhibit any other “abilities”–they kept to just creeping up on people and making them vanish. So all in all, this was a good episode.
The story opens with the Doctor, Amy, and Rory in Central Park, where the Doctor is reading a 1930s pulp fiction novel. Rory goes to get coffee, and while he’s away, the Doctor suddenly realizes Rory is in the story. Angels have transported him back, and he now finds himself locked in a basement with the evil statues. He’s soon joined by River Song, and eventually the Doctor and Amy find a way to catch up to them. It seems the Angels have taken over a hotel in 1930s Manhattan, and are using it as a kind of battery farm where they bring people to live out their lives while they feed on the resultant time energy. And now our heroes are there with, apparently, no way to escape…
SPOILER ALERT!! My comments may (and likely will) contain spoilers for those that havenβt seen the episode. If you want to stay spoiler-free, please watch the story before you continue reading!
My description of the story really doesn’t do it justice. The episode hits the ground running with a prologue that reminds us of the Angels’ power, and zooms forward to the present with the book, Rory’s disappearance, and all that happens thereafter. I thought the inclusion of the book was a clever idea. (The book, THE ANGEL’S KISS: A MELODY MALONE MYSTERY, written by Justin Richards, has been e-published by BBC Books today, btw.) I also liked the various twists, the air of uncertainty, and the way Moffat played on the fact that we knew this was Amy and Rory’s last story, but we didn’t know how they would go. There was a very real chance, when they jumped off the top of the hotel, that not only might they introduce an intolerable paradox, thus breaking the Angels’ power… but they might actually die.
In all, this was a well-written (Moffat showing a return to form–at last!), well-directed episode. The suspense, tension, and frights you expect from the Weeping Angels were all there. The entire cast performed excellently. I’m tempted to quibble that Amy’s departure was too drawn out, but you know I’m not a fan of Amy so it might be a bit unfair to hold that against the episode. And while I notice some reviewers object that Rory didn’t get as much of a send off, I would point out a couple of things. First, Amy was the Doctor’s primary companion from the beginning of Series 5. Rory was important, but Rory only came along because of his relationship with Amy, so it’s really only fitting that Amy’s departure got the most attention. Also, I think this episode honored Rory as a whole, simply because, at long last, we really see where Amy’s devotions lie. She would rather die with Rory than live without him. If he was gone, she wanted to be where he was rather than be with the Doctor. Given the way we’ve seen Amy treat Rory over the past few years, he couldn’t have had a better tribute, IMO.
So another good episode, perhaps the best so far of series 7. Now we have to wait until Christmas Day for our next helping of Who… and a new companion! The next Who Review will be soon after that. In the meantime… what did you think? Did you enjoy this episode? How do you think the series is going so far? Let’s talk in the comments!
I was tearing up. It was a bittersweet ending for Rory and Amy and when she was standing there, ready to follow Rory I felt my heart was breaking as much as the Doctor’s. Terrific acting there from all the cast. The Doctor was just completely destroyed. Like everything had just been taken away from him.
I loved the angels as always. They absolutely terrified me, especially those cherub angels.
While the Statue of Liberty was hilarious for a second I wouldn’t have bothered to see that appear in the episode. You have a laugh with it but I don’t see her working as a giant Weeping Angel. I thought it was a bit silly.
Plotholes and wibbly wobbly paradox aside I couldn’t have thought of a better send off for the Ponds. I was glad to see how Amy reacted to Rory suddenly being taken away. After the way she’s treated him throughout the series this was the Amy I always liked seeing. One who may act tough on the outside but inside she is desperately in love with Rory. She doesn’t want a life without him. When she’s letting her emotions out she’s a likeable character. She sees Rory as her soulmate, protective of her daughter, and fiercely loyal to the Raggedy Doctor. I didn’t think it was drawn out at all. I thought Tennant’s leave went on far longer. Way too long.
I’m still sad over Rory and Amy but I’m looking forward to seeing how the new companion goes. Roll on Christmas Day! =D
I meant to mention about the Statue of Liberty–and I totally agree with you, Robin. Funny, but completely unnecessary. Opens up a large plot-hole given the size of it. Either it couldn’t move because someone would always be looking at it, or if there happened to be a few moments when no-one was watching, it could transport entire city blocks! Would have been best to leave that alone. π
And yes, the 10th’s departure was very drawn out, but I think we give him a pass because, not only was 10 a very popular Doctor, this was also Russell T. Davies’ farewell. I will give Amy her moment, as much as I would have cut it short, because my opinion is based on my bias against her character. Amy fans probably relished (and cried) over every moment, and, in all fairness, I can’t begrudge them that.
The trailer for Christmas looks intriguing… as usual. π
Intriguing… and teasing haha! I want more! XD
Doctor Who always bring out the impatient one with me. Flipping show and it’s cliffhangers and teaser trailers lol! But it’s so much fun though. Classic TV that’ll make history. I could never part with it. π
You have nearly 50 years of the show to keep you going until Christmas! Have you watched much classic Who? I’d be happy to give you some recommendations. π
I’ve just finished the first serial with William Hartnell. Got the Dalek one next. π
But recommend away! Any I should jump straight to? =D
I would hate to mess up your sequential viewing, but here are some of my favourites:
First Doctor: The Time Meddler; The Tenth Planet
Second Doctor (my favourite Doctor): Tomb of the Cybermen; The War Games
Third Doctor: Spearhead from Space; The Time Warrior
Fourth Doctor: Ark in Space; Robots of Death
Fifth Doctor: Earthshock; The Caves of Androzani
Sixth Doctor: Attack of the Cybermen; The Two Doctors
Seventh Doctor: Delta and the Bannermen; Battlefield
Eighth Doctor: The Movie(!)
Must-see stories:
Robots of Death (1977) is one of my all-time favourite classic Who stories. I was 7 when it first aired, and it creeped me out like Doctor Who should. It was the “Blink” of its day, and I think the creep factor still holds up well. The fact that I never forgot it, and it was the first Classic Who DVD I bought, and it was the story I used to introduce my kids to Doctor Who, says a lot.
The Talons of Weng-Chiang (1977): this followed right after Robots of Death, and is an excellent story set in Victorian London, featuring a sinister Chinese illusionist and his creepy puppet… and giant rats. π
And given your particular literary tastes, Robin, you might be interested in:
The Brain of Morbius (1976): Based on FRANKENSTEIN, the story concerns a renegade Time Lord called Morbius, who was executed by the Time Lords, but whose brain was preserved. A brilliant and psychopathic surgeon is now hunting out a suitable body for this brain…
State of Decay (1980): Vampire story! Classic-looking vamps, with bats, and blood!
Enjoy! π
How can you recommend a 7th Doctor story that isn’t Remembrance of the Daleks!?!? Tut!
I thought Angels Take Manhatten was very solid in execution, but there are plot holes… namely, why doesn’t The Doctor land the TARDIS in 1937 and wait? Or stop the building being built in the first place? Hmmm. Anyway, onto Christmas!
Yes, but a similar thing could be said of most Who stories–he could easily solve a lot of problems by jumping back in the TARDIS and going back to the day before. But where’s the fun in that? π
Remembrance of the Daleks is indeed a good story. But I was only choosing two from each. π