What’s Up Wednesday
Dilemma! Should I do a What’s Up Wednesday post, or a RTW Book of the Month post? Clearly, I decided to do a WuW. And if you really want to know what my pick for best read in August is… I’ll blog that sometime around the weekend or shortly thereafter. For those who don’t know, What’s Up Wednesday is a meme devised by Jaime Morrow and Erin Funk wherein we respond to four reading/writing-related prompts as a way of catching up with each other. So what’s up with me this Wednesday…?
What I’m Reading
I’m currently reading THE AGE OF MIRACLES by Karen Thompson Walker. In the story, the rotation of the Earth has slowed, causing the gravitational pull to be stronger (with resulting effects on bird flight and baseball), longer days, and so on. In the midst of the panic and confusion, Julia, the 11-year-old main character, has to continue dealing with life–friends leaving, parents arguing, bullies at school, and so on. I’m not very far into it (my fault, not the book’s), so I can’t say much about it. I will say this: the MC’s age might be misleading with regard to genre. This is not an MG novel. I don’t think it’s ever stated, but I think Julia is narrating the story as a much older person. The things she focuses on, and the insight she brings to the events are not what you would expect of someone in middle school. In other words, the story might be about Middle Graders, but the voice is definitely not MG. I thought this an interesting observation, especially since we often ask ourselves what makes a YA or MG book YA or MG. As this book shows, it’s not just about the age of the characters.
What I’m Writing
I’m still working on revisions to the WIP. It’s slow going, partly due to life, and also partly because I wrote the first draft without much thought to vocabulary and voice. My main consideration as I wrote this novel was the story, with the occasional alien word and hints at a voice as they came to me. Now, I’m having to go through each line carefully, thinking “Is that something she would say? Does she know that word, or concept? How else might she express that thought?” Sometimes this results in a word substitution. Sometimes it results in entire sentences or paragraphs being removed or re-written. Some might argue this is where the real craft of writing lies, and I must admit, I think there’s a lot of truth to that. It took creative energy and inspiration to write the first draft. But it’s in this stage that the story moves from being a story to my story. This is where the clunky prose and half-developed ideas hopefully become elegant phrases and fully realized narrative. It where the humanoid-shaped hunk of marble becomes Michelangelo’s “David”–or something like that. And when it’s done, it’s off to beta readers, who will help me make it even better! That’s the plan anyway.
What Inspires Me Right Now
Nothing specific, except the craft of writing itself. It’s very easy to be inspired to write when you’ve just written something that, at least to your ear, sounds really good. Or when you confront a challenging passage, and you’re not sure how to express that idea, or if that idea needs to be expressed. These are the things that keep me at it. And rewards. I’ve promised myself a nice reward when the novel is beta reader ready.
What Else I’ve Been Up To
Aside from the usual things in life, I participated in yet another Janet Reid Writing Contest this past weekend. I was quite pleased with my entry, and while it didn’t win, it did get special recognition for “minimalism” (see the results, and read the finalists’ entries HERE). By this, Janet was referring to the fact that I used all five challenge words consecutively in one phrase. I confess, I’ve been wanting to do this for a while, so I was especially pleased it worked. I’m thinking about doing the next one (whenever that is) as a rhyming poem. Yes–I love a writing challenge! In fact, I’ve been thinking about compiling all my JRWC entries into one article. It might be interesting to see how I’ve grown as a writer over the past few years of doing these. What do you think?
What have you been up to this past week? See Jaime Morrow’s blog for details on how to participate, and to find out what’s up with other people.
That book sounds like it has a really great hook. I’m going to check that out. Thanks for sharing.
Best of luck with the edits too. Getting the dialogue right in a historical story must be so tricky.
Have an awesome week, Colin!
Someone mentioned THE AGE OF MIRACLES some time ago, as part of a RTW Book of the Month, or something, and I thought the premise sounded interesting. So far so good. π
Thanks for the well-wishes, Cole. The historical language isn’t nearly as tricky as the alien language. Both need to be handled carefully, though.
You have yourself a great week too! π
Keep going with those revisions, you’ll get there! π
Thank you, Laura! π
The book you’re reading sounds interesting. I also like the comment about it having an effect on baseball! It’s obviously a very important side effect of the Earth’s rotation changing. Good luck with the edits on your wip. Forgive my ignorance, but when you are using ‘alien language’, aren’t you just making it up, to a certain extent? Does that take more effort to get right than historical language and making sure words and objects, etc, existed back then?
Thanks, Anna! The problem with alien language is making it alien and yet understandable. Since my alien is the story’s narrator, the entire novel is in her voice. She’s not going to explain every alien term she uses, and because her English is not perfect, she will sometimes fall back on non-English words, and maybe use incorrect grammar or terms. To give a sense of verisimilitude, I have to be sure she sounds alien, or, at the very least, someone for whom English is not her mother tongue. However, to make the story read well as a novel, I can’t lose my reader by making the narrative incomprehensible. The historical language issues are mostly around whether or not the things people say are consistent with their social position, and the time period. That’s not an easy task, but none of the historical characters are narrating the story, so there’s not as much historical dialogue to deal with. Also, they’re all native English speakers, so I can assume a much broader vocabulary.
That’s why it’s taking such a lot of effort to write what is, essentially, made up language. It has to sound plausible. Or, to put it another way, the reader has to believe s/he’s reading an alien’s account of her visit to Earth.
I posted a brief section from the novel for a WUW a few weeks ago if you want to see what I mean (https://www.colindsmith.com/blog/2013/07/17/whats-up-wednesday-6/).
I hope that answers your question. Thanks for asking. π
Revisions is definitely the toughest stage, but it’s worth it to see your story really taking shape! Best of luck! π
Thank you, Emma. I don’t like that revisions take so long, but I enjoy the “craft” side of revising–choosing the right words, repeating phrases to make sure the rhythm is just right, honing character, etc. Definitely worth it. π
I love drafting, but you are so right – revisions are where the craft comes in – at least for me. And I LOVE the revision stage. Also this: “But itβs in this stage that the story moves from being a story to my story.” LOVE IT. Good luck with those revisions! Oh, and congrats on the Janet Reid contests! I’ll have to check them out!
Thank you, Alison!
As always, there were some really good entries in Janet’s contest. I often feel as if my offerings aren’t worthy to stand alongside these others… but it’s such good fun, and great writing practice.
THE AGE OF MIRACLES sounds good. Thanks for the recommendation. Good luck with revisions. Have a great weekend!
Thanks, Amy! I’ll post a review somewhere when I’ve finished the book. You have a great weekend, too! π
I think it’s great that you got the story from start to finish on page first and foremost. Though, I can definitely imagine how tough it must be to go back and add in voice, etc. But it might be kind of fun, too. I agree that it’s so great to go back and read parts that you’ve fixed and actually like they way it sounds. Such a nice payoff for all your hard work! Thanks for joining us again this week, Colin! Hope the coming week is a good one. π
I always wonder if this is the right approach, or if I should edit as I draft. I know some people review the previous day’s work before they continue. I don’t know if I can do that without getting bogged down in making changes and not make any progress. Perhaps I’ll try it sometime. For this novel, I think this approach is working. This round of revisions is concerned with the trees. After this, I’ll do a round of revisions that looks at the entire forest. Hopefully, that’ll be my last before sending to beta readers.
You’re very welcome, Jaime. Thanks for hosting! π
I think I might have to devote one round of revisions purely to voice. I did the same as you, I didn’t concentrate that much on vocab and voice but at the end of the day you just need to get the story written. Still, the more I revise the more I come up with things that need to be added! It’s a good thing and a bad thing all at once!
Getting the story written was certainly my primary concern with the first draft–especially since it was a NaNoWriMo project! I know I have at least one sub-plot to add with this revision, and I’ll be doing that with an ear to voice and character, trying to make it blend seamlessly. I’ve already added some description, and some more sensory details that I passed over to get the first draft written. All this makes the revision process go a lot slower, but hopefully it’ll make for a better novel. We shall see… π
Good luck with drawing out your main character’s voice! It’s a tall enough order when a character is human, so you definitely have your work cut out for you! I like how you said that it’s during the revision stage when the story truly becomes yours. I think there’s a lot of truth in that and maybe explains, at least in part, why I find first drafts so frustrating. There’s something that feels sort of generic about a first draft, but all the added details that come later really do make it more unique and reflective of the author. Thanks for articulating that!
Thanks, Erin. I know for me, there’s a great temptation to spend a lot of time revising while I draft. But its very easy to get stymied in a draft over details, and that’s what usually happens to me. More-or-less pantsing helps me get the story down which not only means the novel is written, but it also gives me a good overview of the whole story going into revisions. I can then revise with an eye to consistency, and things that will need to change later based on what I’m revising. And it’s in that process that the story comes alive, again, for me anyway.
Good luck with your revisions! I’m doing the same thing, trying to make my characters and world ring true.
Thank you, Sarah. When it comes to writing novels, I like the word “verisimilitude.” It’s not so much “write what you know,” but “write in such a way that your reader will easily believe that you know what you’re talking about–it sounds totally believable.” π